Iraqi calligraphy pioneer Eyad Kamal Al-Din Al-Alousi passes away at 78

SALAH AL-DIN — The city of Tikrit, the center of Salah Al-Din Governorate, mourned the loss of renowned calligrapher and visual artist Eyad Kamal Al-Din Al-Alousi, who passed away at the age of 78 in his home, leaving behind a profound artistic and cultural legacy.

Known as the “Sheikh Al-Khattatin,” which translates to “Master of Calligraphers,” Al-Alousi devoted his life to the art of calligraphy, visual arts, and glass painting in Salah Al-Din governorate. His meticulous work and passion for preserving traditional art forms earned him admiration and respect across Iraq.

The artist’s funeral will take place today from his home located in the Qadisiyah district, and his family will begin receiving condolences on Tuesday at a mourning gathering held in the Great Tikrit Mosque Hall.

Alaa Hussein, head of the Salah Al-Din Artists Syndicate, told 964 media: “Today, the city of Tikrit bids farewell to a shining star in the skies of culture, knowledge, and art — the great artist and calligrapher Eyad Kamal Al-Din Al-Alousi.”

Hussein emphasized the significance of the loss, stating, “This is a profound loss for calligraphers in particular and the art world in general in Salah al-Din. He had an extensive history in the artistic field and was a distinguished example of patriotism and love for his country.”

Al-Alousi earned his Bachelor’s degree in Fine Arts from the Academy of Fine Arts at the University of Baghdad, specializing in Ceramics in 1971.

Al-Alousi was celebrated for his depictions of Tikrit’s historic cityscape and his commitment to preserving its cultural identity. His calligraphy adorned many of Tikrit’s walls during the 1980s and 1990s, leaving an indelible mark on the city’s artistic and cultural heritage.

Islamic calligraphy holds a revered place in Iraq’s cultural heritage, deeply intertwined with the nation’s history and religious practices. Originating in the city of Kufa, the Kufic script is one of the oldest forms of Arabic calligraphy, characterized by its angular, linear design and horizontal orientation. This script was predominantly used in early copies of the Quran and architectural decorations, reflecting the significance of calligraphy in Islamic art.