Baghdad calligraphy enthusiasts keep tradition alive

BAGHDAD – In the heart of Al-Mutanabbi Street, every Friday morning, a small but passionate group of calligraphy enthusiasts gathers at a modest table inside the Qushla center. Led by seasoned calligrapher Atiya Al-Dulaimi, the group offers free training in Arabic calligraphy, teaching styles such as Ruq’ah, Diwani, Persian, Thuluth, and Kufic to aspiring artists.

Al-Dulaimi and his team use tools such as reed pens and black ink to teach the fundamentals of calligraphy systems, a structured initiative focused on preserving and promoting traditional arts.

“The spread of technology and reliance on digital communication has weakened the art of handwriting,” Al-Dulaimi told 964media. This gathering is their way of reviving the calligraphy and passing it on to new generations.

“I buy teaching supplies such as paper and ink, and I don’t care about financial matters because teaching calligraphy brings a reward and an indescribable beauty,” he added.

The group’s dedication has borne significant results, including the completion of two handwritten Qur’ans in 2023 and 2024, with contributions from 30 calligraphers. Work is now underway on a third manuscript.

One student, Abbas Fadhil, expressed his deep connection to calligraphy. “I started learning calligraphy more than 10 years ago, and I am still learning because calligraphy is the master of arts and music to the eyes.”

He continued, “My love for the Arabic script and its beauty is the main motivation that drove me to learn and practice. Calligraphy is one of the most beautiful arts because of its simplicity and complexity.”

The weekly sessions attract learners of all ages, with no limits on who can start. Fadhil added, “It’s never too late to master this timeless art.”

Arabic calligraphy, a highly esteemed art form deeply intertwined with Islamic culture, encompasses a variety of distinct styles. Among the oldest is Kufic, characterized by its angular and geometric designs, historically used for Quran manuscripts and architectural engravings.

Naskh, another widely recognized script, features a rounded, cursive form that lends itself well to transcribing texts, including the Quran, thanks to its clarity and elegance.

Thuluth, celebrated for its decorative nature and flowing curves, is commonly found in mosque embellishments and titles, valued for its artistic sophistication.

Diwani, originating during the Ottoman Empire, is distinguished by its intricate loops and elaborate designs. While primarily used in royal decrees and official documents, its ornate nature often made it less legible than other scripts.