Karbala art exhibition spotlights Mesopotamian mythology in modern work

KARBALA — The Karbala branch of the Iraqi Plastic Artists Association opened an exhibition of Mahmoud Ajami’s work, titled “Beyond Faces,” at the Hai Al-Mo’alimeen hall in the city center. The event attracted artists, writers and critics, and featured a discussion panel led by novelist and critic Jasim Assi that examined Ajami’s artistic vision and symbolism.

“I presented an experience that contrasts with what other artists have done with the human face, by depicting the face of the (mythical) bull,” Ajami said. “I am known for this theme and its interpretations, which are deeply connected to the bull’s head.”

Ajami explained that his work draws on the symbolism of the bull in Mesopotamian mythology, where the head represents the center of thought and the animal embodies fertility and power. He noted that the depiction of women in his paintings is meant to evoke an ancient balance rooted in Sumerian civilization.

Mohammed Hatem, head of the Iraqi Plastic Artists Association in Karbala, commented, “The association is hosting an exhibition by Ajami, featuring about 37 works that draw inspiration from Mesopotamian artistic elements, which then extend into his broader body of work.” He added, “Ajami’s experience is remarkable, and organizing such exhibitions is a valuable opportunity for the association. The discussion panel alongside the exhibition was enjoyable, with insightful critiques from attendees.”

Abdul Rahim Al-Mayyahi, an artist and academic, described Ajami’s work: “His pieces merge ancient Sumerian mythology with the present, transforming these myths into an Iraqi heritage—this is what sets his work apart.”