Baghdad sculptor struggles for recognition despite prolific public works

BAGHDAD — Mohamed Ali Al-Sa’i, a sculptor from Al-Zaafaraniya in southern Baghdad, has created prominent works across Iraq, including the Support Monument in Anbar, the Gilgamesh Monument at Baghdad University, the Hand of Imam Al-Abbas in Karbala, and a bust of the revered Iraqi cleric, Mohammad Baqir Al-Sadr. Despite his contributions to Iraq’s public art scene, Al-Sa’i remains relatively unknown, underscoring the challenges Iraqi artists face in achieving recognition and securing government support.

Born in 1962, Al-Sa’i graduated from the College of Fine Arts in Baghdad in 1990 with a specialty in sculpture. Since then, he has held numerous exhibitions, starting with his first in Baghdad in 1986, followed by exhibitions in Libya and Yemen in the 1990s, where he also taught fine arts.

Despite his prolific work, Al-Sa’i expressed frustration over the lack of government backing. “I went to the Ministry of Culture, the Baghdad Municipality, and the province, but unfortunately, when it comes to funding, no one responds,” he told 964media.

Working with materials like clay, fiberglass, and occasionally bronze, Al-Sa’i draws inspiration from Iraq’s ancient heritage and cultural history to shape his distinct pieces.

In addition to sculpture, Al-Sa’i is also a poet and musician. “Sculpting requires silence, patience, and great effort. During my breaks, I play the oud, and that’s how I divide my time between the two,” he said, highlighting the balance he maintains across his artistic pursuits.